Leigh,
thanks for your detailed answer. Never having done conditioning in a horse beyond a very basic level, I felt I needed to rely on someone else's experience here. This is why it's so valuable to me and many others that some of you have a lot of experience in traditional riding, training and conditioning of horses. I guess this would technically have to go back in the collection topic? but maybe it fits here well enough.
What I hear you saying is that doing the exercises that are listed in the groundwork section will isolate muscle groups and encourage the horse to use them consciously. The analogy to dancing makes perfect sense.
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So, for me, this feels like yoga or modern dance training -- not trying to replace natural movement, but expanding body awareness and balance and conditioning so he can more fully use his body. This has been particularly obvious with Stardust (though I am beginning to see its effects with Circe, too, as she starts moving more like a grown-up horse with lightness and confidence) because he was SO out of his body when I got him. It was his enemy for many years -- hurt all the time -- and he developed all sorts of mechanisms to counteract pain.
I don't know dance but have found this expanding body awareness in learning other sports and also in learning how to ride. It must be true in any sport for people and the best instructors/coaches are those who can break things down into small baby steps, keep it fun and then gradually put all the elements together. What is happening in AND (and maybe other places) is revolutionary in the way that the horse is seen as capable as being an active part of the creative process of creating movement that is taken from the natural but is organized and refined. That's what makes it art to me. With horses that have been trained with force and pain it would of course take much more time to get them to the point where contributing to this creative process through play is something that they enjoy. Having spent years in rehabilitating dogs that had lost confidence in mankind and their own abilities, I so much respect the huge effort all of you make who are working with horses who have had a very rough start to being trained by people and some for a very long time. I can see how some of them may need their whole life just to unlearn, patience is definitely required.
My own horse has definitely had some bad experiences, having been started by someone in a twisted wire snaffle, but she was still very green when I got her and was never used for competition. The worst she had to endure was my riding her with ill-fitting equipment and being badly balanced when I first started, even though I was trying so hard to avoid making mistakes.
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we hit a certain level of conditioning and movement quality and then hit a big, fat wall.
This is so interesting, hitting a wall of course happens in training for any sport, but in this case it could be the result of the lack of positive reinforcement and overload of negative, even if pain was not involved (aids were highly refined). What I think can be salvaged is a lot of the movement, like having the horse go over cavaletti, going uphill etc. but using positive motivators like targeting to make it happen. I want to experiment this spring by putting a whole bunch of obstacles in our big, hilly pasture and see how many our horse goes over on her own, without even using targeting. This is like teaching lying down by waiting for it to happen naturally and giving a cue and a marker/reward when it happens.
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he's finding a balance in his body that we'd not found before.
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We've been working VERY lightly and he's not the most muscled he's ever been, but he's got far more strength in the hind and balance than I've ever seen.
This is so exciting and encouraging to hear. I'm sure it is to a large degree the result of using positive motivation, as you said. But the other part is just as important to me, that muscle mass alone is not an indicator of usable strength or balance. I guess body builders would usually not do well in ballet, and dancers don't need to have huge muscles, but the right kind of muscling.
I'm thinking exercise physiology might have a lot to contribute to this topic of possible overstraining the horse, both research done on people and research done on animals. All physical conditioning is affected by the mind-body connection, for sure, but even some of the gentler forms of horse training produce equine athletes that enjoy some of their work immensely, I've seen this mostly in cowworking events like cutting and penning and in trail,working cowhorse etc. . These types of sports give the horse a more active role in making decisions independent of the rider who is regularly in the role of going along for the ride for a while. Looking at the research done in these types of performance horses might very well be applicable to horses taught for athletic performance through AND methods.
The horses are often so highly motivated engaging in these self-rewarding activities, that they can do long-term damage to their joints, and also immediate damage to their muscles, esp. in fast movements.
Classical dressage, and maybe English riding in general, seems to me to involve so much more micromanaging the horse, but that's another story and I'm probably very prejudiced about this.
Right now I'm thinking that progressing in small steps, doing things slowly first and expecting to take many years, not months, without the pressure of competition is probably the most important way to avoid injury in training horses, whether using the best of traditional horse training (dressage, NH) or using AND methods. Some people are more inclined by nature to be competitive than others and redirecting this in a constructive way (who can use the lightest touch, who has the oldest sound horse etc.) is one of the most important assignments I can think of for all of us who want AND to become the rule rather than the exception in the horse world. I would love to be a part of that as I learn more.