I made a first attempt to draw like Nelly, Lena and Nora. Only sketches of a few minutes, but for me it was a first test to get an impression how hard it will be - and the good thing is that I feel like I cannot copy someone else's style at all, yet, which means that I will learn so much from this whole experiment.
And then later in the evening - my first serious attempt of copying Lena's style.
It was very interesting for me to draw in this way, because I had to change a few things in my way of thinking about the drawing process. Usually, for me drawing is all about decisions and taking position. That's just necessary for the high contrast drawings I usually do, because if something changes from very dark to very light within a few millimeters, I have to know what I am drawing and what I want it to be like. In contrast
, for this soft, low contrast way of drawing, I had to stop thinking about shapes and structures (because this immediately made me want to draw more clearly again) but merely think in terms of lights and shadows. Something that does not start or end anywhere in particular.
Second, I had to try to switch my thoughts off or direct them away from the drawing process, because as soon as I started being fully there, this put me in a much more interpretative mode again, one that emphasizes interesting things and makes the drawing about me, instead of about the photo. Well, for me that's essential in drawing, but the plan was to do it differently this time, so I actively had to take myself out of the process and bind my movements more directly to the visual input I got from the photo, if that makes any sense.
Also, it surprised me to see my strong reaction to the thought that I will still have to smear the whole thing to create the characteristic wischi-waschi style. This is funny, because I am not getting very attached to my drawings and would not have any problem to give it away. So I don't know what it is... well, I just postponed that step by simply not finishing the drawing, yet.
P.S.: I just checked back with
Lena's version and was quite surprised how different our drawings still were in terms of style - while I was drawing, I had felt that I was doing it rather Lena-like.
I guess what I did wrong was that I decreased the contrast, but not so much the differentiation. So if I will try it again, I will try to think in terms of wider areas, and even softer transitions between them.